Tag Archives: Timbaland

ADAM’S TOP 40 FLASHBACK: January 27, 2008

Simply the

“Home” is where the chart is.

It’s the start of another weekend, which means it’s time for another trip back into the archives on Adam’s Top 40 Flashback! Every Saturday, the day before my latest top 40 goes up for the week, I feature the highlights of a past countdown. They’re all here — the hit songs, the songs that flopped, and the songs that may be a little embarrassing to reflect on.

This week, we stroll back nine years and find out what was topping my chart for the week of January 27, 2008…

39. ROONEY, “I Should’ve Been After You”
38. JOSH KELLEY, “Unfair”
36. FIVE TIMES AUGUST, “The Good Life”

Biggest Mover:
DARREN HAYES, “Casey” (20-15, five spots)

10. DURAN DURAN, “Falling Down” (down 2)
Album: Red Carpet Massacre (2007, Epic Records)
Peak: #4

09. MICHAEL BUBLÉ, “Lost” (up 2)
Album: Call Me Irresponsible (2007, Reprise Records)
Peak: #9 for two weeks

08. LIFEHOUSE, “Whatever It Takes” (up 2)
Album: Who We Are (2007, Geffen Records)
Peak: #1 for one week

07. MAROON 5, “Won’t Go Home Without You” (steady, second week)
Album: It Won’t Be Soon Before Long (2007, A&M/Octone Records)
Peak: #4 for three weeks

06. ONEREPUBLIC, “Stop And Stare” (steady, second week)
Album: Dreaming Out Loud (2007, Mosley/Interscope Records)
Peak: #6 for two weeks

05. TAYLOR SWIFT, “Teardrops On My Guitar” (steady, second week)
Album: Taylor Swift (2006, Big Machine Records)
Peak: #3 for three weeks

04. MATT NATHANSON, “Car Crash” (steady, second week)
Album: Some Mad Hope (2007, Vanguard Records)
Peak: #1 for three weeks

03. TIMBALAND presents ONEREPUBLIC, “Apologize” (down 1)
Album: Dreaming Out Loud (2007, Mosley/Interscope Records)
Peak: #1 for three weeks

02. GRAHAM COLTON, “Best Days” (up 1)
Album: Here Right Now (2007, Universal Republic Records)
Peak: #1 for three weeks

01. EMERSON HART, “I Wish The Best For You” (steady, third week)
Album: Cigarettes And Gasoline (2007, Manhattan Records)
Peak: #1 for four weeks

Check back next Saturday for another Adam’s Top 40 Flashback countdown and don’t forget to follow the blog by using the tab below or find PGTC on social media by clicking the “Get Social!” tab at the top of the page.

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Filed under Charts/Trade Papers, Retro

SINGLE REVIEW: Justin Timberlake featuring Jay-Z – “Suit And Tie”

It suits him well.

It suits him well.

You may as well call this a zoot suit riot. It’s finally here, the new single from Justin Timberlake, “Suit And Tie”, featuring rapper Jay-Z.  Understandably, the traffic to Timberlake’s website is a little heavy at the moment, but we’ve got your hookup to the hotness that is, by far, the most anticipated track of 2013 thus far.

Before I start, kudos once again to the various members of Pulse Music Board who put the puzzle pieces together (Follow the madness here) and came up with the correct titles for both the single and album title names for Timberlake’s new releases. Special thanks to Kurt Trowbridge who put up an amazing post on his blog, which you can see by clicking on his name. Really neat stuff that proved to be entirely right in the end!

Timberlake has of course been a huge success on the national surveys ever since he started in the boy band *NSYNC; he had at least one top-40 hit per year from 1998-2010. In recent years, his presence on the charts has lessened considerably, mainly due in part to the singer’s focus on acting and developing some of his own acts on his label Tennman Records, including Esmée Denters and FreeSol. (None of them have been big successes to date in the States, though his collaboration with Matt Morris and Charlie Sexton, a version of “Hallelujah” performed at the Hope For Haiti Now telethon, became a digital hit.) His last significant radio single was a feature on Jamie Foxx‘s “Winner”, which peaked at #27 on CHR radio in May 2010. It also featured rapper T.I., but it’s long faded from the airwaves. Now, Timberlake is back in action with this first single from his forthcoming third solo album, The 20/20 Experience.

The song was written by Timberlake, Timbaland, Jay-Z, Jerome Harmon and James Flauntleroy. Harmon’s worked with a number of acts since 2007, from Ashlee Simpson to Chris Cornell. Fauntleroy was a co-writer behind “No Air” by Jordin Sparks and Chris Brown, as well as one of the last hits Timberlake featured on, “Love, Sex, Magic” by Ciara.

“Suit” is very much an old-school record inspired by the early 70’s R&B sound, from the funky horn section to Timberlake’s sweet and tender vocals. It’s like a mixture of Smokey Robinson and Marvin Gaye vocally with the explicitness lyrically of a Barry White record. At a hefty 5:28, the version on iTunes will be used as the album version, while a radio edit will chop it down a bit. It starts off with a slow section combining Timberlake’s vocals and Timbaland’s production, stopping about forty seconds in with a clear break. Timbaland questions: “Wait a minute. Are you ready, JT?” That’s an affirmative. (This part is cut out on the radio edit, thank goodness. It’s like what Timbaland tried to do with “4 Minutes” by extending Madonna and Timberlake’s song to a length of 4:04 with a non-event intro and outro. Keep it short and simple, please.)

Timberlake is in the mood for some steady romancing crooning that he “can’t wait to get [her] on the floor”. She’s a fiesty one who burns him to the touch and “ain’t nothin’ but a little doozy when she does it,” but he proceeds with his lady because, as he states in the chorus, “love is swingin’ in the air tonight/Let me show you a few things”. She may be dangerous for the “innocent” character in Timberlake, but “she’s all mine.” Yet, this is no casual romance. Oh, no, no, not for Mr. Timberlake, who is “fixed up to the 9’s” and “all dressed up in black and white”, matching the perfectly picked-up out dress by his female cohort. How sizzling! All of this is against a really dreamy sounding arrangement which really goes a nice job of combining both the classic soul sound with some up-to-date techniques, like the steady drum machine line and the multi-layered instruments.

At 3:14, the bark of an order from JT: “Get out your seat, HOV!” Hey, look, it’s Jay-Z on this record! His flow is solid as usual, proclaiming, “This is trouble season/Time for tuxedos for no reason.” It’s another part of what makes this track so sensual, and even though it’s probably the most current thing about this dated-sounding record, it actually isn’t too bad. In fact, this is probably the most I’ve liked a song featuring the rapper in at least two or three years. Is it an essential part of the song? Perhaps not, but it for sure works. Timberlake’s vocals are done for the most part by the 4:48 mark, ending with a really pretty mixture of drums, keyboards, horns and a little bit of steel drum as if you’ve been whisked away into paradise for five-and-a-half minutes. This guy is good.

So, yes, I’m in love, for now at least. It’s a more mature sound for the former boy bander; the only potential problem I see is that a younger audience may not connect with it since it’s not particularly kid-friendly. The Urban audience may also write this off as a Robin Thicke reject, but who cares? Justin Timberlake is back, and praise the Lord that this isn’t an electro-pop dance song like the majority of the material on CHR radio today. It’s a game changer, just like “SexyBack” was in 2006. The song will easily debut high on the CHR chart on the weekend’s update, which is perfect timing given that it will also be the fifteenth anniversary of *NSYNC‘s debut single, “I Want You Back”, hitting the top 40 on the same chart. Will the song be able to score the biggest debut digital sales frame of all-time? We’ll have to see, but the buzz behind it is immense. Look out below!

For more singles reviews and music news, follow us here at POP! Goes The Charts and my personal Twitter handle: @AdamFSoybel.

Buy “SUIT & TIE” on iTunes. (Album version)

(If you’re interested in a solo radio version without Jay-Z, you can contact me on here or on Twitter.)


Filed under Music News, Single Reviews

TEARIN’ UP MY CHART: The Return of Justin Timberlake (“Suit & Tie” + “The 20/20 Experience”)

He drives himself... crazy.

He drives himself… crazy.

EDIT: Both titles have been CONFIRMED. Check out a followup post here.

(EDIT: Myself and the members of the Pulse Music Board are guessing, based on Timberlake’s webpage, that the leadoff single from his album, which we think is entitled The 20/20 Experience, is a song called “Suit & Tie”. Timberlake has also tweeted out the hashtag #YouNeverKnow in reply to several tweets, as well as “AND, AS LONG AS I GOT MY SUIT AND TIE…”  and “I’MA LEAVE IT OUT ON THE FLOOR TONIGHT.” Is this the chorus of the single? Everything will be confirmed on Monday morning.) (My original tweet.) (Followup on PMB.)

Alright, calm yourself down, Pop fans. You still have a few days before the new Justin Timberlake track premieres, which is rumored to be featuring Jay-Z and Beyoncé. The song, which will make its debut on Monday at 12:01 AM, according to his website, will be the leadoff single from Timberlake’s forthcoming studio album, due in 2013. It is produced by Timbaland. (View the semi-announcement video here.) Before the song makes its glorious debut on the internet, let’s take a look at how the singer came in and dominated the music world.

Timberlake began in the boy band *NSYNC, who first broke onto the American scene in 1998 with hits like “I Want You Back” and “Tearin’ Up My Heart”. It was the group’s second release, however, that launched them into superstardom. No Strings Attached, released in the spring of 2000, sold 2.43 million copies in the first week and nearly 10 million before the year was done, and this was all in the United States alone. “Bye Bye Bye” and “It’s Gonna Be Me”, the effort’s first two single, became huge #1 hits on CHR radio. Though their followup, Celebrity, didn’t do nearly as well as its predecessor, it still kept the band on the charts and doing well at a time when the boy band bubble burst for acts like 98 Degrees, the Backstreet Boys and others.

By the end of 2002, Timberlake had gone solo with Justified, which debuted at #2 on the album chart. Lead single “Like I Love You” showed a more urban side to the singer, but it was further singles “Cry Me A River” and “Rock Your Body” (#1 at CHR radio) that established him as a force at mainstream radio. He additionally provided the chorus on the first major breakthrough record for the Black Eyed Peas, “Where Is The Love?”, which hit #1 in 2003. Though the album’s promotion was done by late 2003, Timberlake managed to stay on the radio as a feature on singles by Nelly in 2004 and Snoop Dogg in 2005, leading to his eventual return in 2006 with the 80’s-inspired FutureSex/LoveSounds and the #1 hit “SexyBack”. The album debuted at #1 in September with sales just under 700,000 copies in its first week and produced six singles, four of which hit the top spot on mainstream radio: the aforementioned lead single, “My Love”, “What Goes Around… Comes Around” and “Summer Love”. A fifth release, “LoveStoned”, hit the top 5.

Timberlake’s been primarily focused on acting during the last few years, most notably portraying Napster co-founder Sean Parker in The Social Network. Though he’s collaborated with Ciara, Jamie Foxx, and T.I. in the past few years, Timberlake hasn’t been credit on a top-40 hit since 2010, so it shall be interesting to see if radio and retail was easily embrace him again as they did many years before. In the meantime, watch out for more news as it comes right here on POP! Goes The Charts.

EDIT: Both titles have been CONFIRMED. Check out a followup post here.


Filed under Charts/Trade Papers, Music News, Retro