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RADIO ACTIVE — A Weekly Chart CHRonicle (July 23, 2017)

Welcome to Radio Active, a Sunday evening report from POP! Goes The Charts that gets to the chart of the matter: all the highlights from the CHR/Top 40 chart, as published by Mediabase 24/7 and Mediabase Research. Shark Week begins tonight, and if you can’t bop to chart singles like Dickie Goodman‘s “Mr. Jaws” (#13, 9/26/75 R&R) or Jimmy Buffett‘s “Fins” (#19, 11/2/79 R&R), then we’re in big trouble. (Well, let’s start with Buffett, at least. Goodman’s break-in record is a polarizing one.) Meanwhile, an ocean full of maritime music awaits us, so hip-hop aboard and watch the waters below:

JUSTIN TIME FOR MORE: They say that good things come in threes, so three weeks at #1 for a track by three artists is certainly very fitting. Luis FonsiDaddy Yankee and Justin Bieber carry on with the remix of “Despacito”, which also holds at #6 on the Rhythmic chart and climbs 13-12 on the Hot AC list. The hot single registers a small loss in spins this week, meaning the top three is bulletless at the moment, though the handful of songs that are gaining are too far away to reach the top spot. “Despacito” is also due to spend an eleventh week atop on the Billboard Hot 100, which means that it could be in contention for the longest-running title in that position, assuming it stays there, by early September. (Remember, the record is 16 weeks, held by Mariah Carey and Boyz II Men‘s “One Sweet Day”.) Stay tuned… it’s going to be close, and that’s understood in any language.

Perhaps it’s a little early to start thinking about the GRAMMY Awards, but I imagine that “Despacito” will be placed on a number of ballots in the categories of Record and/or Song Of The Year. The impact and staying power of this single is just too big to be ignored by the voting panel, don’t you think? Hey, just a thought! The official nominations aren’t announced until November 28, so there’s a lot of time to decide.

THIRTEEN RECORDS WHY: The number 13 can be a lucky one for some people, and though I’ll stick with seven, two artists on this week’s countdown are celebrating their thirteenth top 40 hit. Soaring from 41-28 is the emotional ballad “Praying” by Kesha, a first taste of her upcoming album called Rainbow. The singer’s had four #1 hits to date, her biggest being the seven-week “TiK ToK” from early 2010. Of course, due to an assortment of legal and label troubles, this is her first time in the top 40 in three years. It does seem that this record is off to a great start, however, even though it’s fallen off in sales and streams since it debuted earlier in July. A second cut from the album, “Woman”, also performed well upon its release last week. (I’m definitely looking forward to the full set.)

Meanwhile, Demi Lovato certainly isn’t sorry about scoring one more hit with “Sorry Not Sorry”, which leaps from 46-37. Though she’s had quite a bit of success for Disney (both the channel and label Hollywood) for nearly a decade, her first release outside of the bubble to break the top 40 came as a feature on “We’ll Be A Dream” by We The Kings, which peaked at #21 in July 2010. Her only #1 to date at the format took 25 weeks in the top 40 to reach the summit: 2012’s “Give Your Heart A Break”. Luckily, she’s had some much quicker runs since then! Look for Lovato’s forthcoming album to be released sometime later this year.

“LLIF3” ON THE CHARTS: After six songs reached the top 50 on last week’s survey, another four are new on this week’s list. It’s certainly a good time for some turnover. The highest of the four enters at #47, and it’s the current #1 (for the past five weeks) on the Alternative radio chart: “Feel It Still” by Portugal. The Man. Out of their five charting songs at that format since 2011, this is their first to crossover to the Hot AC and Top 40 lists. Coming in at #48 is a singer who has a larger history at both formats; she’s Selena Gomez, and her latest entry is the Gucci Mane-assisted “Fetish”. This release follows “Bad Liar”, which just peaked at #12 several weeks ago, marking her first lead single to miss the top ten since 2011. Ouch! Let’s see if this single gets her back on track by the end of the summer.

Below those two entries are another two songs from other charts: “Mi Gente” (#49) marks the first charting entry at the format for a pair of international performers, J Balvin and Willy William. Currently top ten on the Spanish and Tropical charts, as well as the national charts in countries like Chile, Ecuador, Peru, Spain and Venezuela, it’s poised to move fast here on the pop survey, even if a Spanglish remix isn’t available at this time. Finally, at #50, Lil Uzi Vert reaches the top 50 for the second time with the current top ten Rhythmic and Urban hit titled “XO Tour Llif3”. (Just don’t ask me how to pronounce it.) He previously appeared another big hit at both formats, “Bad And Boujee” by Migos, which peaked #29 for two weeks here earlier this year.

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RADIO ACTIVE — A Weekly Chart CHRonicle (July 16, 2017)

Welcome to Radio Active, a Sunday evening report from POP! Goes The Charts that gets to the chart of the matter: all the highlights from the CHR/Top 40 chart, as published by Mediabase 24/7 and Mediabase Research. Celebrate National Ice Cream Day with a bit of a selection of creamy Top 40 treats, made just for you to devour. Hey, it’s nice to know that something else is dripping besides the Russia investigation today. Anyways, enjoy these scrumptious stats:

SECONDS, SEÑORES?: Staying at #1 for the second week, it’s the tasty trio of Luis FonsiDaddy Yankee and Justin Bieber with the remix of “Despacito”. It’s likely to spend a tenth week at #1 on the Billboard Hot 100, which will be announced tomorrow. A recent Latin-based certification of the song boasted a huge 55x Platinum figure, or 3.3 million single-equivalent units. ¡Ay, caramba! Bieber has now spent a dozen weeks at #1 (over six songs – three main-credited, three features) since the fall of 2015. There’s still no word on when his next album will drop, but for all those Beliebers reading this post, I’m sure you wanted it yesterday, right?

The battle for the next #1 on the pop survey appears to be a three-horse race at the moment, pitting Halsey‘s “Now Or Never” (in at #4 again) against Shawn Mendes‘s “There’s Nothing Holdin’ Me Back” (up 6-5) and Imagine Dragons“Believer” (up 10-6). It’s going to be a few weeks before someone else ranks at the top spot, so check back to see how the growth of these singles develops. Do you think any of them will push for a Spanglish remix to reach #1? A collaboration with Bieber? It is not very original, but it may just do the trick…

HOW TO GET A SIX-PACK: No need to hit the gym twenty times a week and eat zero calories per day; this six-pack is all about a set of chart debuts, six of them in total, making the top 50 for the first time on this week’s update. Those six songs are led by Zedd & Liam Payne‘s “Get Low”, which hits a high of #39. It’s the tenth top 40 hit for Zedd, and the second solo entry for Payne, who stays at #19 for a second week with the Quavo-assisted “Strip That Down”. Just below that, Kesha‘s “Praying” is proving to be a holy hit, as it debuts at #41. It’s likely to become her 13th top 40 hit next week, and her first since 2014. Also, if you haven’t watched the video for her new album cut “Woman”, featuring The Dap-Kings Horns, go check it out on YouTube or VEVO. She did that.

Impacting at the format this week, along with “Praying”, is Demi Lovato‘s “Sorry Not Sorry”, which starts at #46. The performer is also featured on “No Promises” by Cheat Codes, which advances 25-23 in its 13th week in the top 40. Entering at #47, Hey Violet is on the hunt for their third top 40 single with “Hoodie”. The song has nothing to do with Hoodie Allen, who reached #26 in early 2015 with the Ed Sheeran-assisted “All About It”. Jonas Blue certainly isn’t blue over “Mama” coming in at #49, which features a chart newcomer named William Singe. It’s not a hot Genesis or Spice Girls remake, though I’m a fan of both songs and groups! Finally, the duo Ayo & Teo sneaks into the top 50 at #50 with “Rolex”. Unfortunately, time is running out for the brothers, literally, as the track loses nearly 20% of its spins from last week. Can someone let the Timex Social Club know that we need them back?

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ADD LIB — Brace For (CHR) Impact (May 16, 2017)

Welcome to Add Lib, your Tuesday report on POP! Goes The Charts that’s mad about CHR/Top 40 adds, based on the station data provided by Mediabase 24/7 and Add Board. This week: Miley Cyrus makes that musical move to “Malibu”, Childish Gambino returns to the pop playground and more! It’s just a few days before my five year college reunion, and I’m ready to celebrate the hits from this week’s graduating gems on the honor roll we call the Most Added list. Grab your caps and gowns… and a few adds too:

HIGHLY MILEY: After debuting at #37 on the published update last Sunday, Miley Cyrus easily claims this week’s Most Added song at the CHR format with “Malibu”. The track surfs in with 116 adds. Hole‘s “Malibu”, which was mentioned briefly in Sunday’s post, received 42 adds on impact (the second Most Added song that week, behind Alanis Morissette‘s “Unsent” with 95 adds) on its way to a peak of #35 in February 1999. While the state of California resides in a number of top 40 titles throughout the decades, the cities and towns located on the musical map of The Golden State include Beverly Hills, Hollywood, Los Angeles, Monterey, San Francisco, San José, Sausalito and Ventura. (Of course, Malibu brings that total up by one.) Look out for Cyrus’s next studio album later this year, which you can purchase in Malibu, or pretty much anywhere else in the world.

CHILDISH BEHAVIOR: The performer known as Childish Gambino has charted with two minor singles so far this decade: a top 50 entry called “Heartbeat” (#43, 3/4/12) and the top 40 entry “V. 3005″ (#38, 9/14-21 and 10/5/14). Needless to say, the pop panel and the performer don’t exactly have a relationship that’s hand in Glover; at least, not at this point. However, that isn’t going to stop the California artist from trying for his second top 40 single at the format with “Redbone”. The current #1 on the Urban AC chart, which also ranks in the top ten at Urban radio and top 15 at Rhythmic, impacts with 14 stations this week, which gives it a tied total for the 8th Most Added spot. We’ll see if the children drive Childish to his biggest pop hit yet this summer.

MOST ADDED — THIS WEEK’S TOP TEN (TWELVE)
1. MILEY CYRUS, “Malibu” (RCA)
2-T. LUIS FONSI & DADDY YANKEE featuring JUSTIN BIEBER
, “Despacito (Remix)” (UMLE/RBMG/Def Jam/Republic)
2-T. NIALL HORAN, “Slow Hands” (Capitol)
4. SHAWN MENDES, “There’s Nothing Holdin’ Me Back” (Island/Republic)
5. CHARLIE PUTH, “Attention” (Artist Partner/Atlantic)
6-T. IMAGINE DRAGONS, “Believer” (KIDinaKORNER/Interscope)
6-T. KENDRICK LAMAR, “Humble.” (TDE/Aftermath/Interscope)
8-T. AJR“Weak” (RED)
8-T. CHILDISH GAMBINO, “Redbone” (Glassnote)
10-T. CHEAT CODES featuring DEMI LOVATO, “No Promises” (300 Ent.)
10-T. HAILEE STEINFELD, “Most Girls” (Republic)
10-T. SAM HUNT, “Body Like A Back Road” (MCA Nashville/Capitol)

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RADIO ACTIVE — A Weekly Chart CHRonicle (May 14, 2017)

Welcome to Radio Active, a weekly report from POP! Goes The Charts that gets to the chart of the matter: all the highlights from the CHR/Top 40 chart, as published by Mediabase 24/7 and Mediabase Research. A very Happy Mother’s Day from PGTC to everybody celebrating out there, including my own Mom, my first blog fan and the best supporter out there! Now, it is time to let this baby into the world, give it some love and let it grow up to be a fantastic young pop chart report. (Someone pass the tissues!) Here is why CHR stands for can’t help reminiscing…

THE “LIKE” SPIKE: For the third week in a row, pop and R&B star Bruno Mars orbits around the #1 spot with his international smash “That’s What I Like”. The video for it will likely be closing in on 400 million views in the coming week, as it recently surpassed the 300 million stream mark on Spotify. (That’s a whole lot of millions, and they aren’t in my wallet. Can we change that?) The party is nearly over for Mars, as he’ll pass the baton next week to “Something Just Like This” by The Chainsmokers and Coldplay. The song holds at #2 for the second week. By the way, the last time the top two tracks in the nation both had the word “like” in their titles was in October 2011, when “Moves Like Jagger” (#1) by Maroon 5 featuring Christina Aguilera and “Someone Like You” (#2) by Adele were ruling the radio. See, kids, liking is cool in any era.

Beyond those top two records, there isn’t much to “like” about the titles in this week’s chart. One of last week’s top 40 entries, “Body Like A Back Road” by Country crossover star Sam Hunt, is up 40-39 with a smaller gain in spins. At the present time, no additional titles with a likable sentiment are impacting at the format. However, the season is still young, and that’s certainly something to like.

NIALL AND ERROR: Three members of One Direction gone solo are bouncing around the Top 40 chart this week, but just one has a debut record, and it happens to be this week’s highest new entry. Niall Horan‘s “Slow Hands” jumps from outside the top 50, making a lofty entrance at #35. This is the Irish singer and songwriter’s second solo hit on the pop survey, with “This Town” reaching a #12 peak earlier this year. With 60% of the boy band in the top 40, we’re very close to achieving a week in which all of their original members find themselves somewhere in the top 40 with solo hits. This kind of occurrence has only happened once on the CHR list. I think you’re aware of which influential band pulled it off the last time. (Hint: it was an early Christmas/Hanukkah gift in 1974.) Look out for the debut of member Liam Payne‘s “Strip That Down”, featuring Quavo, on Friday. It’s sure to be a hot tune, so load up on those flame emojis.

Now, the only issue with this equation is that ZAYN‘s “Still Got Time”, which features PARTYNEXTDOOR, takes a nasty fall of 11 notches this week from its peak of #20. Needless to say, that single will likely be beneath the top 40 next week, and he would need to have a follow-up on the horizon in the next few weeks. Also, with Louis Tomlinson not announcing any singles as of late, though I presume he’s been working on material, he too would need to build up some buzz before properly launching some music here. It will take some teamwork, between the clients, their labels and the gatekeepers/programmers at the format, but I think it can be done. (It would be amazing if it happens!)

SWING OUT, SISTERS: Two breakouts on this week’s pop chart are by two sisters who found a way and said what they wanted to say, at least as far their current hits. The higher of the pair lands at #37: “Malibu” by Miley Cyrus, her ninth top 40 hit. No, it is not a hot Hole remake, but that “Malibu” hit #35 (2/12/99 R&R) and served as the rock group’s only successful crossover single. Well, I don’t think Cyrus was jamming to Courtney Love and company at age six, but who knows? In any case, that debut is bolstered by first day hourly airplay for the afternoon of its release. However, with a chart-topping bow on iTunes, and plenty of streaming during the last few days, this California confection is sure to strum up the charts and stick around for the summer.

Younger sister Noah Cyrus crawls into the countdown at #49 with “Stay Together”. You might recall that this entry was featured in the Add Lib report from about three weeks ago, and it continues to gain at the format, thanks in part to an upcoming appearance at a summer event sponsored by radio giant iHeartMedia. (In fact, both sisters will be there.) Previous single “Make Me (Cry)”, featuring Labrinth, reached #19 earlier this year. Two sisters debuting with separate solo chart entries in the same week is definitely a rarity. We’ll see if the panel can make room for both of them in the top tier of the chart very soon.

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ADD LIB — Brace For (CHR) Impact (May 9, 2017)

Welcome to Add Lib, your Tuesday report on POP! Goes The Charts that’s mad about CHR/Top 40 adds, based on the station data provided by Mediabase 24/7 and Add Board. This week: Niall Horan has a fast start with a “Slow” song, while several proven hits continue their dominance at the Top 40 format. Needless to say, I am all fired up, but not like the FBI director, so let’s examine the politics of pop in our weekly check of the Most Added songs from the CHR panel:

“HANDS” ACROSS AMERICA: Divided they stall, united we stan; “Hands” adds were felt across America this week. Now, a few of you out there are probably too young to remember that dud of a charity song that was bubbling under the pop chart this week in 1986, but Niall Horan‘s handy new single is far better, and definitely more successful. The Voice Of Ireland’s “Slow Hands” is this week’s Most Added song at CHR/Top 40 radio, pulling in 84 stations on impact. No, this is not a hot Pointer Sisters cover, but a very similarly-titled “Slow Hand” spent two weeks at #1 on Radio & Records in late July and early August of 1981. Horan’s previous solo single, “This Town”, peaked at #12 earlier this year. With Harry Styles and ZAYN currently in the top 40, Horan well on his way and a forthcoming single from Liam Payne also dropping soon, will four members of One Direction chart at the same time later this month? Ooh, the mind wonders… I’ll keep you updated!

“ONE” MORE TIME: As far as the rest of this week’s CHR report, just one single impacting at the format means that much of the top ten songs includes holdovers from last week. Justin Bieber pulls double duty once again, with DJ Khaled‘s “I’m The One” in the runner-up slot (after topping the report last week) and Luis Fonsi & Daddy Yankee‘s remix of “Despacito” rounding out the top three. Another three impacting songs from last week, by Charlie Puth, Hailee Steinfeld and Katy Perry featuring Migos, all remain in the top ten as well. Just wait for next week; I hear we’ll be taking a trip to “Malibu” with some old friends, and perhaps additional surprises in store…

MOST ADDED — THIS WEEK’S TOP TEN (ELEVEN)
1. NIALL HORAN, “Slow Hands” (Capitol)
2. DJ KHALED featuring JUSTIN BIEBER, QUAVO, CHANCE THE RAPPER and LIL WAYNE
, “I’m The One” (We The Best/Epic)
3. LUIS FONSI & DADDY YANKEE featuring JUSTIN BIEBER, “Despacito (Remix)” (UMLE/RBMG/Def Jam/Republic)
4. SHAWN MENDES, “There’s Nothing Holdin’ Me Back” (Island/Republic)
5. CHARLIE PUTH, “Attention” (Artist Partner/Atlantic)
6. HAILEE STEINFELD, “Most Girls” (Republic)
7. LADY GAGA, “The Cure” (Streamline/Interscope)
8. MARTIN GARRIX & DUA LIPA“Scared To Be Lonely” (RCA)
9. KATY PERRY featuring MIGOS, “Bon Appétit” (Capitol)
10-T. ED SHEERAN, “Castle On The Hill” (Atlantic)
10-T. IMAGINE DRAGONS, “Believer” (KIDinaKORNER/Interscope)

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RADIO ACTIVE — A Weekly Chart CHRonicle (May 7, 2017)

Welcome to Radio Active, a weekly report from POP! Goes The Charts that gets to the chart of the matter: all the highlights from the CHR/Top 40 chart, as published by Mediabase 24/7 and Mediabase Research. Okay, I’ll admit it; there’s no shame in it now. Writing this post every weekend is only possible because I have a preexisting condition: I’m a chart geek. My social life is staring at my laptop and refreshing the Current Day charts. Truly, there’s no better way to get turnt up on a Saturday night. So, forget about the Ambient House and whatever they pass; the health of this week’s hits is safe with me in the sonic Senate that we call the Top 40 airplay chart:

“WHAT” GOES UP: Bruno Mars‘s “That’s What I Like” continues its reign at #1 on the CHR/Top 40 list, now in its second week at the top. Thanks to the long run for Ed Sheeran‘s “Shape Of You”, solo male artists have now led the chart for twelve consecutive weeks. However, that stretch will eventually come to an end, because all the current contenders for the top spot are collaborations. I think we’ll see a similar issue interrupting Mars’s Hot 100 run, again, due to another set of collaborations that you’ll bop to below. It should be noted that Mars’s current album, 24K Magic, has no duets or features on it. Sorry, Top 40 chart, we don’t need that many names listed in the top ten songs of the week. Sheesh. A third radio single from the project has yet to be announced.

On some additional radio charts this week, “That’s What I Like” comes in at #2 on the Hot AC chart, #3 at Rhythmic, #7 at Urban, #9 at Urban AC and #23 at AC. Yes, even those soccer moms like to shake it to this song too, and they’ll probably end up filmed on a cell phone and uploaded to YouTube. (That’s probably not the best Mother’s Day gift, just FYI.) Despite its loss of bullet at CHR radio in the last few days, it continues to gain elsewhere, making it a multi-format smash into the early summer.

A THREE FOR “ONE” SPECIAL: Believe it or not, DJ Khaled isn’t the only one screaming about his new single. “I’m The One”, which has dominated both sales and streaming platforms in the last week, moves from 34-19 on this week’s pop survey, making it the biggest mover in the countdown. The hit features Justin BieberQuavo, Chance The Rapper and Lil Wayne. The 41-year-old DJ, producer and yelling enthusiast has his highest-charting entry at the format in mere days, beating “For Free” (#25, 9/11/16) with featured guest Drake. Guess he can afford a few more major keys to some cars and homes! The cut is expected to appear on his new album Grateful, due sometime this year. (Yes, you can expect a mouthful about that release as well, so watch your Snapchat page.)

There are two other big movers to make note of this week: rising from 37-26, for a gain of eleven spots, is the other Bieber feature in this week’s top 40. The remix of “Despacito”, performed by Luis Fonsi and Daddy Yankee, continues to perform well worldwide. There’s no word on how busy Google Translate has been lately, but you won’t be seeing anyone named Rosetta giving you stone cold chart facts on this blog anytime soon. Also, climbing from 33-25 is another great summer single: “There’s Nothing Holdin’ Me Back” by Shawn Mendes. It takes a very similar jump (33-24) on this week’s Hot AC list. Something about those young Canadian guys… I guess “up north” is more like their stats than their birthplace. Anyways, these three singles will continue to heat up the charts during the coming months. Let’s just hope that the crazy roadblock in the top 20 that we’ve endured most of this year is nice to these men.

“GIRLS” JUST WANNA HAVE PUNS: Only two new tracks break into the top 50 this week, but one could be in some trouble if the not-so-tasty rumors are true. Katy Perry‘s “Bon Appétit”, a collaboration with Migos, devours the #39 slot. However, word on the street is that Perry’s label pulled the song due to its sluggish sales and mixed critical reaction. Sacrebleu! Well, in any case, this is the 22nd top 40 single for the purposeful pop star, even if the purpose of her latest charting song is just to have some filthy fun. You might really want to consider cancelling that order on cherry pies, though I’m good with a slice of apple or pecan. (Stay tuned for any updates regarding an official single status change through the blog or the PGTC socials.)

The only other debut this week is from 20-year-old singer and actress Hailee Steinfeld and “Most Girls”, coming in at #48. Unlike the girls, most CHR programmers haven’t added this single, so I wouldn’t aspire to be like them just yet. (It did rank as the fifth Most Added song at the format last week, however.) Steinfeld is looking for her fifth top 40 song here, and also appears on this week’s #18 hit, “At My Best” by Machine Gun Kelly. How will Steinfeld’s new single fare in the musical machine? Most prognosticators would urge you to stay tuned, and that’s some sound advice.

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ADD LIB — Brace For (CHR) Impact (May 2, 2017)

Welcome to Add Lib, a new weekly report on POP! Goes The Charts that’s mad about CHR/Top 40 adds, based on the station data provided by Mediabase 24/7 and Add Board. This week: DJ Khaled is “One” to scream about this new collaboration, Katy Perry is hungry for a hot hit, Charlie Puth attracts some new believers and Hailee Steinfeld gets the “Most” out of her new single. It may be May, but you may proceed with viewing my recap of the top Top 40 singles getting that add coverage this Tuesday. Phew… that was a tongue-twister. Wrap your tongues (and ears) around these songs:

“ONE” ON ONE: Do you think that DJ Khaled identifies with the book/film Old Yeller? You know, at least the title of it? I think you’ll hear him loud and clear this week. His latest single, “I’m The One”, is the Most Added title at CHR/Top 40 radio. The track is new at 140 stations on impact, giving the 41-year-old performer his largest frame of adds at the format. While that total is notable, it falls just short of the PPW era record for his label, Epic: 157, established last March by Meghan Trainor‘s “No”, which reached #7. Justin Bieber, Quavo (of Migos, more below), Chance The Rapper and Lil Wayne all appear on the song, and Bieber is a huge part of why the single is a success out of the gate, as it competes with another single (a remix of “Despacito”, see below) that he features on. So, if you don’t like DJ Khaled or Justin Bieber, I would suggest staying away from your local pop outlet on the dial this summer. Hey, there’s always the jazz station…

LIFE GOES “BON”: What’s the recipe for a radio record? Katy Perry should know the answer to that; she’s been ranking at the format for almost nine years now. Her latest release, “Bon Appétit”, has a tasty turnout from the Top 40 panel, but second place is all that it’ll be serving this week. C’est la vie, kids. A total of 54 stations on the panel give it an add on impact. The track includes the latest struggle vocal rent-a-rappers, trio Migos, who have seemingly replaced Ty Dolla $ign‘s pointless features on a number of pop hits. (Seriously, kids, it’s 2017. Can we not write a proper middle eight?) Anyways, I shouldn’t be totally shady on this one, due to the fact that an edit without them is available to programmers. Anyways, I hope she has a perry good summer with this song. It’s a fun one. (Don’t go overboard on the cherry pie. There’s always the Warrant song.)

THE MOMENT OF PUTH: Singer and songwriter Charlie Puth proves he’s a chart survivor with a karate pop chop, making it on the Most Added report again with “Attention”. Upon impact, it’s new at 43 pop stations, landing it the third Most Added spot. It was recently promoted through an exhibit called The Attention Room in Los Angeles, which gave his fans the chance to step into an LED infinity tunnel that displays the brain’s reaction to receiving attention, while his song plays in the background. In other words, “Ooh! Look at the colors! Wait, who’s singing this song?” “Attention” is expected on his sophomore album, due sometime later this year. However, paying attention to my endless Survivor marathons on Spotify is optional. I can still bop to “Poor Man’s Son” and “American Heartbeat”, thank you very much.

DOING THE “MOST”: If you’re at or around my age, you know that when it comes to pop singles called “Most Girls”, we’re used to thinking that those girls want a man with the bling-bling, etc. It’s only natural, because we all love a great P!nk jam. Well, singer and actress Hailee Steinfeld is out to change that with her latest single, which grabs the fifth Most Added slot this week, starting out at 33 stations. The female empowerment anthem follows the Grey and Zedd-assisted “Starving”, which slowly reached a peak of #5 for three weeks earlier this year. Most girls are probably rooting for this one, and we’ll see how it does over the summer. The competition is pretty tough out there…

MOST ADDED — THIS WEEK’S TOP TEN
1. DJ KHALED featuring JUSTIN BIEBER, QUAVO, CHANCE THE RAPPER and LIL WAYNE, “I’m The One” (We The Best/Epic)
2. KATY PERRY featuring MIGOS
, “Bon Appétit” (Capitol)
3. CHARLIE PUTH, “Attention” (Artist Partner/Atlantic)
4. SHAWN MENDES, “There’s Nothing Holdin’ Me Back” (Island/Republic)
5. HAILEE STEINFELD, “Most Girls” (Republic)
6. LADY GAGA, “The Cure” (Streamline/Interscope)
7. LUIS FONSI & DADDY YANKEE featuring JUSTIN BIEBER, “Despacito” (UMLE/RBMG/Def Jam/Republic)
8. HEY VIOLET“Break My Heart” (Caroline)
9. DNCE featuring NICKI MINAJ, “Kissing Strangers” (Republic)
10. ED SHEERAN, “Castle On The Hill” (Atlantic)

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