Tag Archives: Aloe Blacc

RADIO ACTIVE — A Weekly Chart CHRonicle (August 18, 2019)

Welcome to Radio Active, a Sunday evening report from POP! Goes The Charts that gets to the chart of the matter: all the highlights from the CHR/Top 40 chart, as published by Mediabase 24/7 and Mediabase Research. For this 50th anniversary of Woodstock, the time in which I would take stock of the radio action for the week is about to begin. Let’s see what’s popping at the Top 40 format this Sunday:

“BAD” IS STILL GOOD: As she falls to #2 on the Alternative radio list, Billie Eilish‘s “Bad Guy” holds steady at #1 this week on the Top 40 chart for a second frame. The cut is already down more than 800 spins from last week, so you can expect that “Señorita” (which ranks at #3 on this update) will easily climb to the top next week for Shawn Mendes and Camila Cabello.

Climbing from 42-38 on the chart, “Post Malone” marks the first top 40 songs for both Sam Feldt and RANI. Malone’s newest hit, the Young Thug-assisted “Goodbyes”, moves from 10-8 this week. It’s the first time that an artist has appeared in the top 40 at the same time that their name is featured in the title of a top 40 song since early 2012, when the legendary Mick Jagger was a featured artist on “THE (The Hardest Ever)” by will.i.am and Jennifer Lopez and inspired “Moves Like Jagger”, a #1 song for Maroon 5 and Christina Aguilera. Rising from 45-39, “Good Things Fall Apart” gives Illenium his first top 40 single here and returns Jon Bellion to the top 40 for his third appearance to date. The late Avicii also lands in the top 40 for a sixth time with the Aloe Blacc-assisted “SOS”, up from 43-40. It’s Avicii’s first top 40 single here since 2014’s “Addicted To You”, which peaked at #39. Blacc was a vocalist on his only #1 track to date, 2013’s “Wake Me Up”, though he didn’t receive a featured credit for it; thus, “SOS” is his second top 40 hit.

Headed to Country radio later this month, Maren Morris‘s new Hot AC hit “The Bones” enters at #45. Morris has been charting at the Country format since 2016, but she topped both the Hot AC and Top 40 charts last spring and summer with the Zedd and Grey collaboration “The Middle”. Viral hit “Lalala” is in at #46 for format newcomers Y2K and BBNO$. Two spots lower, another K-pop group arrives on the survey: NCT 127 bows at #48 with a new English version of “Highway To Heaven”, their first hit here. Lastly, a collaboration from actor and singer Asher Angel and rapper Wiz Khalifa enters at #50. “One Thought Away” is Angel’s first song to chart at any radio format.

Check out our Facebook, Instagram and Twitter pages for more chart coverage and commentary.

Leave a comment

Filed under Charts/Trade Papers

RADIO REPORT: What’s Popping At Top 40 Radio This Week (June 24-25, 2019)

It’s time once again to analyze the airwaves and find out if your favorite new releases will be lighting up your local station’s playlist this week. Which tunes will climb to the top and which ones will hit a stop? Here are six new tracks impacting this week at the Top 40 format:

AVA MAX – “So Am I” (APG/Atlantic)
Album: TBA (2019)
Past T40 History: Last month, “Sweet But Psycho” got as high as #3, giving the emerging artist her first big radio hit in the States.

AVICII featuring ALOE BLACC – “SOS” (Geffen/Interscope)
Album: Tim (2019)
Past T40 History: This is Avicii’s first posthumous release here. Blacc sung the lead vocal on 2013’s “Wake Me Up”, his one #1 hit.

CYN – “Holy Roller” (Unsub/Caroline)
Album: TBA (2019)
Past T40 History: Cyn is the lone format newcomer in the mix this week. She is one of the acts signed to Katy Perry’s Unsub label.

MKTO – “Shoulda Known Better” (Crooked Paintings)
Album: TBA (2019)
Past T40 History: The duo has four top 40 singles to date. This past April, their track “How Can I Forget” managed a peak of #50.

SHAWN MENDES & CAMILA CABELLO – “Señorita” (Island/Republic)
Album: TBA (2019)
Past T40 History: As a duo, their big collaboration “I Know What You Did Last Summer” got as high as #10 back in January 2016.

ZARA LARSSON – “All The Time” (TEN/Epic)
Album: TBA (2019)
Past T40 History: “Time” for Larsson to reach the top ten again! Her last top 40 entry, “Ruin My Life”, peaked at #16 in February.

Next week: Vacation, anyone? No new songs are on the schedule… yet.

Which of these new songs would you like to see top the charts? Let me know!

Check out our Facebook, Instagram, SoundCloud, Spotify and Twitter pages!

Leave a comment

Filed under POP! Goes The Picks (Radio), Single Reviews

TURN IT UP TUESDAY: What’s New In Stores This Week (March 11)

They're in the Money.

They’re in the Money.

Money doesn’t grow on trees, but you sure are going to need some with all the new albums and singles bouncing into stores today. Here’s what you need to know about on the schedule for the week of March 11:

  • In late 2009, the crew from Young Money Entertainment released a compilation album called We Are Young Money, which features various rappers and singers from the group on hits like “Bedrock” and “Every Girl”. This week, their second release of solely acts from that label is in stores, subtitled Rise Of An Empire. Two singles from the effort are currently charting at Urban radio. Look for it to debut in the top ten. (iTunes)
  • Why not cater to the college crowd at this time of year? Luke Bryan‘s latest Spring Break EP is his sixth, subtitled …Like We Ain’t Ever. Given how hot the guy’s been lately, this could make its way into the top spot. Crack open a few cold cans: it’s time for some finger lickin’ fun. (iTunes)
  • If you’re a fan of Avicii‘s “Wake Me Up!”, then you already know singer Aloe Blacc and his new hit, “The Man”. Released in a handful of European territories last fall to mixed results, Lift Your Spirit is the singer’s third album and “Man” is the leadoff release from it. However, it may not lift up the charts that easily. (iTunes)
  • Country superstar Sara Evans is back with her seventh studio album, Slow Me Down; the title track is currently at Country radio and climbing through the top 30. Her opening numbers won’t be as big as her last album, Stronger, but they should solidly put her in the top 10 or 15. (iTunes)
  • After partnering with ATO Records on their last release, Alternative rockers 311 go totally independent on their new album, titled Stereolithic. “Five Of Everything” is the lead release from it, which recently entered the top 50 at the format. (iTunes)
  • Looking for a little Latin flavor this week? A new album from Juanes reaches stores this week, the muy bueno Loco De Amor. It should do better in the U.S. than his last album, P.A.R.C.E., which barely charted during the Christmas season in 2010. (iTunes)
  • Currently charting at the Urban AC format with “I Blame You”, R&B singer Ledisi is out with her latest, The Truth. It’s her first album in nearly three years. (iTunes)
  • Other releases out this week include: Capital Cities‘s In A Tidal Wave Of Mystery (Deluxe Edition) (iTunes), Cowboy Troy‘s King Of Clubs (iTunes), Don Williams‘s Reflections (iTunes), Elbow‘s The Take Off And Landing Of Everything (iTunes), KXM‘s KXM (iTunes), Ozomatli‘s Place In The Sun (iTunes) and Tensnake‘s Glow (iTunes).

New digital-only EPs and singles that you can buy this week include:

  • “Burning Gold”, a new single from Christina Perri from her new album, Head Or Heart. (iTunes)
  • “Guilty All The Same”, a collaboration from Linkin Park and Rakim. (iTunes)
  • “Higher”, new from Canadian rapper Classified featuring American rapper B.o.B. (iTunes)
  • “You’re My Star”, a first single from R&B singer Tank‘s forthcoming album. (iTunes)

Next week, Foster The People has the most anticipated release with their sophomore album Supermodel, plus the latest from Enrique Iglesias also hits stores. A full preview is coming in seven!

Leave a comment

Filed under Album Reviews, Music News

Fall Into Dance: The Autumn’s Entertaining Electronic Hits

As pop radio transitions into a land of alternative crossovers and less of the 70’s soul throwback sound we’ve heard as of late, a lot of dance acts and DJs who haven’t quite made a name yet outside of the clubs are still holding their genre’s ground at the format. There’s Zedd and his breakout hit, “Clarity”, featuring Foxes. It’s one of four songs that gives Interscope Records a hold on the entire top 4 on the airwaves. Then, we have the surging “Wake Me Up!” by Avicii and Aloe Blacc, already top ten on iTunes and moving towards that top spot. Further down the chart, there are songs from Armin Van Buuren and Krewella, and now, it’s time to add some more names into the mix. Both singles are at radio on the same date at the end of the month, and they’ve got the beat to beat those other beats:

EDM gone sky high.

EDM gone sky high.

KASKADE – “Atmosphere”
Release Date: August 26 (CHR radio) / Ultra Records

Just like the waterfall in his name, the sudden rush of EDM acts at the pop format has got this guy wanting in too. Born Ryan Raddon just outside of Chicago, he became a club DJ at age 24 in Salt Lake City and pursued his own career as a producer and writer shortly afterwards. His first album, It’s Me, It’s You, came out in 2003 and two years later, he scored his only #1 (so far) on the Dance/Club Play chart, “Everything”. A total of seven of his songs have reached the 50-position list. Though he’s been appearing on this survey for nearly a decade to varying degrees of success, as well as remixing versions of songs that became major singles on the radio, he, himself, has never had a mainstream hit to call his own. Last year, he was credited as a featured artist on the Neon Trees single, “Lessons In Love (All Day, All Night)”, but it never managed to take off completely. Thus, “Atmosphere” will be the DJ’s true introduction to a wider audience. Much like Calvin Harris‘s “Feel So Close”, Kaskade is the one singing on this rather than featuring an additional vocalist. It worked for Harris, giving his first big hit in the U.S.; why can’t it work for Mr. Raddon? At age 42, he may not have a lot of time left to secure a big airplay and sales hit (although look at David Guetta still making it at age 45), but with an accessible and catchy song that starts out slow and then pops with a pulsating punch, I see a winner in this one. Look out for it in the next few months.

Locked and looking for a hit.

Locked and looking for a hit.

SEBASTIAN INGROSSO, TOMMY TRASH & JOHN MARTIN – “Reload”
Release Date: August 26 (CHR radio) / Astralwerks and Capitol Records

Their names aren’t the most recognizable of the bunch, but put together their collective talents and they may be household names by the end of the year. Ingrosso was one-third of the group Swedish House Mafia, who split up earlier this year after what was their biggest international single, “Don’t You Worry Child”. It topped many charts and went to #6 on the Hot 100. The vocal on “Child” was done by Martin, and the singer also appears on this track. Then, there’s Tommy Trash, an Australian DJ and producer who is relatively unknown here in the U.S., save for on the club circuit. “Reload” was originally an instrumental track by just Ingrosso and Trash at over six minutes in length that became a minor single in Belgium last year, but with the mix they concocted with Martin, it ultimately charted much better. After placing at #3 in the United Kingdom and #1 in Scotland, it finally arrives here and at mainstream radio. It’s another great dance track with a little more of an edge that packs synthesizers and drums into a heavy beat. Martin’s vocals are once again unmistakable on this one; he’s such an emotive vocalist that I could easily see him taking on other genres. Like “Child”, “Reload” has a bit on an inspirational message, about not giving up in the face of fears and trouble and gaining the strength to pick yourself back up to try again. So, Ingrosso and Martin will try, try again for another hit, while adding on Trash on a single that’s far from disposable.

Which song will you be shaking it out to next season? Comment below or click on the “Get Social!” tab to connect with PGTC on social media.

1 Comment

Filed under Single Reviews

Wake Up Call: The Reemergence Of Countrified Dance

Where did you come from? Where did you go?

Where did you come from? Where did you go?

One of the newest songs to make onto the dance scene this summer is a bit of a surprise to those who know some previous material by Swedish DJ and EDM artist Avicii. His latest single features a vocal by California-born soul singer Aloe Blacc, best known for a song called “I Need A Dollar”. It never made it to the United States, but it went to #2 in the United Kingdom in the summer of 2011 and was generally big in Europe. Well, the two appear together on a new song entitled “Wake Me Up!”, which is already #1 on iTunes in Australia, Sweden, The Netherlands and four other countries, with a top ten placing in many others. However, it’s not strictly a soul record or a dance anthem, it’s a… folk meets house thingamajigger? I guess that’s the best way to describe it even if it’s not the clearest.

“Wake” begins as a guitar-driven track with Blacc delivering his verse, which leads into a steady handclap beat about 40 seconds in, only to transition into a full-out dance song a quarter of the way in. Yet, there’s a simplicity about it as it returns to its original arrangement, and even when you’re ready to rage when the energy of the song kicks in, that portion doesn’t seem as layered or as overbearing as a normal dance song on the radio or in the club. It’s actually pretty likable and will certainly appeal to a broader audience than who the two appeal to individually. So, what gives? With its huge popularity out of the gate, including a decent ranking in the United States, could we be seeing a successful new period mixing the two polar opposite genres? It could very well happen.

Combining the dance and country genres isn’t a new concept, but it doesn’t exactly come around that often, and when it does, the results are somewhat mixed. Country legend Dolly Parton did disco once – a song she recorded called “Baby I’m Burning” was a minor hit in 1979. In early 1980, Joyce Cobb just missed the top 40 with a song I quite like, “Dig The Gold”, which became the first disco song to prominently use a fiddle line. (You first hear it around the 1:05 mark.) Remember when The KLF and Tammy Wynette provided us with one of the oddest collaborations in music history? “Justified And Ancient” was even bigger, going to #11 on the Hot 100 in 1992. Then, of course, there was the novelty single “Cotton Eye Joe” by the Swedish band Rednex, which I still encounter at bar/bat mitzvahs, reunions, weddings, etc. The fiddle-full floorfiller was an international smash in 1995, though it only got to #25 here. Say it ain’t so, “Joe”. (I still know the dance routine. No, there will not be video to back that up.)

There are some holes that I’ve missed along the way, but that brief history shows why this fusion of two distinct styles doesn’t even have a name. It’s so scattered about that anybody could give it something and it would catch on. It also shows that “Wake Me Up!” is a totally different case; there are no country acts involved, each genre has an equal place in the composition and it’s not meant for consumption as a novelty song. So, wipe that slate clean, because this is a new beginning for everyone involved, and it’s beginning to pick up rather quickly.

With the rise in folk music in the mainstream consciousness thanks to acts like Mumford & Sons, Phillip Phillips and The Lumineers, among others, it makes sense that it would continue to influence acts and producers creating new material. That being said, no one could have expected this to come out of either act. While the song has its dissenters on both sides of the musical spectrum, reaction seems to be fairly positive, and the early signs of good download numbers in our neck of the woods likely means that the transition onto radio and other outlets may be easier than I’m thinking. At the same time, Blacc has never cracked the U.S. market and Avicii has had some minor chartings on a few radio formats without a true breakthrough. That could change later this year, and if it blows up like it has been internationally, this movement won’t be over for some time. Stay tuned… and don’t fiddle around in the meantime.

How do you feel about this new sound from Avicii and Aloe Blacc? Are you a fan? Do you think that country and folk has a place in dance music? Let me know! Comment below or find me on Twitter: @AdamFSoybel.

Leave a comment

Filed under Single Reviews