Tag Archives: 2013

CMJ PREVIEW: Ten Acts On My List To See

Start spreading the news… yes, if you haven’t heard already, I’ll be attending my first CMJ Music Marathon this year in New York City. I’m very excited for the conference and can’t wait to see (and maybe even meet) some emerging artists and bands as well as some Adam’s Top 40 favorites. There’s a few of them in the mix! In the meantime, take a look at these ten acts I definitely want to check out before the week is over.

NOTE: A full list of panels and showcases is available on the CMJ website. Please be aware some times may change and that not all events have been updated, so be sure to check back for more updates.

On the Holiday Road to stardom.

Vacation, all we ever wanted.

BASIC VACATION

I wrote about this trio last week in anticipation for their performance at CMJ. Chris Greatti, Jon Paul and Mike Montalbano are signed to a relatively new label, Atom Factory Music, which will be working in conjunction with Capitol’s radio department to break their single, “I Believe”, at Alternative radio into early next year. A likely pop crossover should follow.

Performing at: Bowery Ballroom (Wednesday night)

Who's that girl.

Who’s that girl.

BETTY WHO

Remember this viral marriage proposal of a few weeks ago? Who’s pop anthem “Somebody Loves You” was featured in it, and 10 million views later, Who is the most recent signee of RCA Records, who rereleased her EP The Movement and put her on a small radio tour recently. The 22-year-old looks forward to releasing a full-length album next year under her new label.

Performing at: Pianos (Wednesday night) and Westway (Friday night)

The Birch is back.

The Birch is back.

DIANE BIRCH

I was a fan of Birch’s 2009 single “Nothing But A Miracle” and enjoyed the song’s parent album, Bible Belt. You might also remember her song “Valentino”, which was promoted in conjunction with the 2010 film Valentine’s Day. Fusing jazz and soul music, her album was a critical success, and she returns with Speak A Little Louder, her second release for S Curve Records.

Performing at: Gramercy Theater (Wednesday night)

Caught in the "Sun".

They’re Hall the rage around here.

GENTLEMEN HALL

I covered these Boston boys back in January as they released “Sail Into The Sun”. You may recognize it as the song featured in a Target campaign this past Spring and it picked up some airplay at Alternative radio. A handful of their songs have been considered for my chart, but “Sun” was the first to hit the top 40. Their bright pop sound is awesome and translates well live.

Performing at: The Studio at Webster Hall (Friday night)

"High Hopes" for a solid performance.

“High Hopes” for a solid performance.

KODALINE

Out of Dublin, Ireland, this four-man band was first known as 21 Demands before changing their name. Although they’ve done particularly well in their native country with singles like “High Hopes” and achieved some additional success in Europe, they have yet to find a following in the United States. Perhaps this will change after a few showcases in the next week or so.

Performing at: Bowery Ballroom (Wednesday night) and Santos Party House (Thursday night)

Yes, yes, yes.

Yes, yes, yes.

NONONO

Time to whistle while you work your first single, am I right? The two man, one woman group from Sweden is getting pumped for a U.S. performance, which is sure to include their current single on the Alternative chart, “Pumpin’ Blood”. It stands in the top 30 at the moment. Their label, Warner Bros. Records, is also prepping a pop crossover for the song later this month.

Performing at: Mercury Lounge (Tuesday night)

Orbiting the musical planets.

Orbiting the musical planets.

SATELLITE

This quartet is yet another PGTC Profile act with their post coming in July; it was just a few weeks before the radio servicing of their single “Say The Words”, which just missed the top 30 on the AAA survey last month. It’s now declining in spins, but still in the top 50. Featuring band member Mitch Allan, formerly of the rock band SR-71, I’m really liking their sound so far.

Performing at: Arlene’s Grocery and Rockwood Music Hall – Stage 1 (Saturday night)

Everybody's flocking to them.

An “Easy” decision to make.

SHEPPARD

These guys are the reason I found out about CMJ in the first place. They first got my attention back in late April, then I took a few listens to their self-titled EP and I’ve been loving them since. The sextet has charted two consecutive top ten singles on my top 40: “Let Me Down Easy” (#10) and now “Hold My Tongue” (#8 and climbing). I can’t wait to finally see them live!

Performing at: The Studio at Webster Hall (Tuesday night)Pianos (Friday afternoon), Sullivan Hall (Friday night) and The Delancey (Saturday afternoon)

"Heart" of the chart.

In the “Heart” of the city.

THE GRISWOLDS

I guess I have a thing for those Australian acts, don’t I? I did a small bit on these guys when “Heart Of A Lion” went to Alternative radio back in August, although it never actually did any damage. They recently uploaded a video for their second single, “Mississippi”, which originates from the same EP as “Lion”. Sorry, there’s no colored powder party in this one.

Performing at: Pianos (Tuesday night), Pianos (Wednesday night), Santos Party House (Thursday night) and The Delancey (Saturday afternoon)

Traveling across the "Miles".

Traveling across the “Miles”.

VANESSA CARLTON

You know her well for hits like “A Thousand Miles” and “Ordinary Day”, the latter going to #1 on my chart in the fall of 2002. An album, Be Not Nobody, was certified Platinum that year. Carlton’s major label career declined quickly after her debut era, but she’s been releasing independently for several years now. Now, she takes to stage to play the hits and more.

Performing at: Highline Ballroom (Tuesday night)

Who else will make my schedule? A little Sisqo belting out “Thong Song” on Thursday night? Maybe the pop sounds of Sweden’s Like Swimming on Friday? I’ll be sure to recap all my adventures here on POP! Goes The Charts as the week goes on. See you in New York City!

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SINGLE REVIEW: Justin Timberlake featuring Jay-Z – “Suit And Tie”

It suits him well.

It suits him well.

You may as well call this a zoot suit riot. It’s finally here, the new single from Justin Timberlake, “Suit And Tie”, featuring rapper Jay-Z.  Understandably, the traffic to Timberlake’s website is a little heavy at the moment, but we’ve got your hookup to the hotness that is, by far, the most anticipated track of 2013 thus far.

Before I start, kudos once again to the various members of Pulse Music Board who put the puzzle pieces together (Follow the madness here) and came up with the correct titles for both the single and album title names for Timberlake’s new releases. Special thanks to Kurt Trowbridge who put up an amazing post on his blog, which you can see by clicking on his name. Really neat stuff that proved to be entirely right in the end!

Timberlake has of course been a huge success on the national surveys ever since he started in the boy band *NSYNC; he had at least one top-40 hit per year from 1998-2010. In recent years, his presence on the charts has lessened considerably, mainly due in part to the singer’s focus on acting and developing some of his own acts on his label Tennman Records, including Esmée Denters and FreeSol. (None of them have been big successes to date in the States, though his collaboration with Matt Morris and Charlie Sexton, a version of “Hallelujah” performed at the Hope For Haiti Now telethon, became a digital hit.) His last significant radio single was a feature on Jamie Foxx‘s “Winner”, which peaked at #27 on CHR radio in May 2010. It also featured rapper T.I., but it’s long faded from the airwaves. Now, Timberlake is back in action with this first single from his forthcoming third solo album, The 20/20 Experience.

The song was written by Timberlake, Timbaland, Jay-Z, Jerome Harmon and James Flauntleroy. Harmon’s worked with a number of acts since 2007, from Ashlee Simpson to Chris Cornell. Fauntleroy was a co-writer behind “No Air” by Jordin Sparks and Chris Brown, as well as one of the last hits Timberlake featured on, “Love, Sex, Magic” by Ciara.

“Suit” is very much an old-school record inspired by the early 70’s R&B sound, from the funky horn section to Timberlake’s sweet and tender vocals. It’s like a mixture of Smokey Robinson and Marvin Gaye vocally with the explicitness lyrically of a Barry White record. At a hefty 5:28, the version on iTunes will be used as the album version, while a radio edit will chop it down a bit. It starts off with a slow section combining Timberlake’s vocals and Timbaland’s production, stopping about forty seconds in with a clear break. Timbaland questions: “Wait a minute. Are you ready, JT?” That’s an affirmative. (This part is cut out on the radio edit, thank goodness. It’s like what Timbaland tried to do with “4 Minutes” by extending Madonna and Timberlake’s song to a length of 4:04 with a non-event intro and outro. Keep it short and simple, please.)

Timberlake is in the mood for some steady romancing crooning that he “can’t wait to get [her] on the floor”. She’s a fiesty one who burns him to the touch and “ain’t nothin’ but a little doozy when she does it,” but he proceeds with his lady because, as he states in the chorus, “love is swingin’ in the air tonight/Let me show you a few things”. She may be dangerous for the “innocent” character in Timberlake, but “she’s all mine.” Yet, this is no casual romance. Oh, no, no, not for Mr. Timberlake, who is “fixed up to the 9’s” and “all dressed up in black and white”, matching the perfectly picked-up out dress by his female cohort. How sizzling! All of this is against a really dreamy sounding arrangement which really goes a nice job of combining both the classic soul sound with some up-to-date techniques, like the steady drum machine line and the multi-layered instruments.

At 3:14, the bark of an order from JT: “Get out your seat, HOV!” Hey, look, it’s Jay-Z on this record! His flow is solid as usual, proclaiming, “This is trouble season/Time for tuxedos for no reason.” It’s another part of what makes this track so sensual, and even though it’s probably the most current thing about this dated-sounding record, it actually isn’t too bad. In fact, this is probably the most I’ve liked a song featuring the rapper in at least two or three years. Is it an essential part of the song? Perhaps not, but it for sure works. Timberlake’s vocals are done for the most part by the 4:48 mark, ending with a really pretty mixture of drums, keyboards, horns and a little bit of steel drum as if you’ve been whisked away into paradise for five-and-a-half minutes. This guy is good.

So, yes, I’m in love, for now at least. It’s a more mature sound for the former boy bander; the only potential problem I see is that a younger audience may not connect with it since it’s not particularly kid-friendly. The Urban audience may also write this off as a Robin Thicke reject, but who cares? Justin Timberlake is back, and praise the Lord that this isn’t an electro-pop dance song like the majority of the material on CHR radio today. It’s a game changer, just like “SexyBack” was in 2006. The song will easily debut high on the CHR chart on the weekend’s update, which is perfect timing given that it will also be the fifteenth anniversary of *NSYNC‘s debut single, “I Want You Back”, hitting the top 40 on the same chart. Will the song be able to score the biggest debut digital sales frame of all-time? We’ll have to see, but the buzz behind it is immense. Look out below!

For more singles reviews and music news, follow us here at POP! Goes The Charts and my personal Twitter handle: @AdamFSoybel.

Buy “SUIT & TIE” on iTunes. (Album version)

(If you’re interested in a solo radio version without Jay-Z, you can contact me on here or on Twitter.)

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TEARIN’ UP MY CHART: The Return of Justin Timberlake (“Suit & Tie” + “The 20/20 Experience”)

He drives himself... crazy.

He drives himself… crazy.

EDIT: Both titles have been CONFIRMED. Check out a followup post here.

(EDIT: Myself and the members of the Pulse Music Board are guessing, based on Timberlake’s webpage, that the leadoff single from his album, which we think is entitled The 20/20 Experience, is a song called “Suit & Tie”. Timberlake has also tweeted out the hashtag #YouNeverKnow in reply to several tweets, as well as “AND, AS LONG AS I GOT MY SUIT AND TIE…”  and “I’MA LEAVE IT OUT ON THE FLOOR TONIGHT.” Is this the chorus of the single? Everything will be confirmed on Monday morning.) (My original tweet.) (Followup on PMB.)

Alright, calm yourself down, Pop fans. You still have a few days before the new Justin Timberlake track premieres, which is rumored to be featuring Jay-Z and Beyoncé. The song, which will make its debut on Monday at 12:01 AM, according to his website, will be the leadoff single from Timberlake’s forthcoming studio album, due in 2013. It is produced by Timbaland. (View the semi-announcement video here.) Before the song makes its glorious debut on the internet, let’s take a look at how the singer came in and dominated the music world.

Timberlake began in the boy band *NSYNC, who first broke onto the American scene in 1998 with hits like “I Want You Back” and “Tearin’ Up My Heart”. It was the group’s second release, however, that launched them into superstardom. No Strings Attached, released in the spring of 2000, sold 2.43 million copies in the first week and nearly 10 million before the year was done, and this was all in the United States alone. “Bye Bye Bye” and “It’s Gonna Be Me”, the effort’s first two single, became huge #1 hits on CHR radio. Though their followup, Celebrity, didn’t do nearly as well as its predecessor, it still kept the band on the charts and doing well at a time when the boy band bubble burst for acts like 98 Degrees, the Backstreet Boys and others.

By the end of 2002, Timberlake had gone solo with Justified, which debuted at #2 on the album chart. Lead single “Like I Love You” showed a more urban side to the singer, but it was further singles “Cry Me A River” and “Rock Your Body” (#1 at CHR radio) that established him as a force at mainstream radio. He additionally provided the chorus on the first major breakthrough record for the Black Eyed Peas, “Where Is The Love?”, which hit #1 in 2003. Though the album’s promotion was done by late 2003, Timberlake managed to stay on the radio as a feature on singles by Nelly in 2004 and Snoop Dogg in 2005, leading to his eventual return in 2006 with the 80’s-inspired FutureSex/LoveSounds and the #1 hit “SexyBack”. The album debuted at #1 in September with sales just under 700,000 copies in its first week and produced six singles, four of which hit the top spot on mainstream radio: the aforementioned lead single, “My Love”, “What Goes Around… Comes Around” and “Summer Love”. A fifth release, “LoveStoned”, hit the top 5.

Timberlake’s been primarily focused on acting during the last few years, most notably portraying Napster co-founder Sean Parker in The Social Network. Though he’s collaborated with Ciara, Jamie Foxx, and T.I. in the past few years, Timberlake hasn’t been credit on a top-40 hit since 2010, so it shall be interesting to see if radio and retail was easily embrace him again as they did many years before. In the meantime, watch out for more news as it comes right here on POP! Goes The Charts.

EDIT: Both titles have been CONFIRMED. Check out a followup post here.

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Filed under Charts/Trade Papers, Music News, Retro