Before the Radio Report goes up tomorrow, here’s a few of the fierce females releasing new singles to mainstream radio in the next few weeks. From the straight-up sounds of pop to the electronic eargasms of tomorrow, here’s a few of my choices that you may see climbing up the charts this spring.
Former Disney kid Mendler made a successful transition into the world of mainstream music when her debut single, “Ready Or Not”, hit the CHR top 40 several months ago. Though it wasn’t the biggest of hits for the young singer, Hollywood Records is trying again with this second single from Hello My Name Is…, a song called “Hurricane”. It’s another rap-sung track from the singer, with the same sort of reggae-influenced vibe as Jessie J‘s “Price Tag” or Skylar Grey‘s “C’mon Let Me Ride”. “Hurricane” was co-written by Mendler, Evan Bogart, Andrew Goldstein and Emanuel Kiriakou and produced by the latter two gentlemen. All three previously worked together on Hot Chelle Rae‘s 2011 album Whatever. Mendler once again brings out the cringeworthy, juvenile lyrics. Remember “I like your face, do you like my song?” from “Ready”? This time around, it’s “I’m flopping on my bed like a flying squirrel.” I mean, I just don’t know what to do with that, so I’m going to move on and pretend it never happened. She’s 20. I guess I can deal with it. Otherwise, it’s a harmless and cute little song with a lot of vocal stuttering about a girl who compares her noticing a boy she really likes to “standing in the eye of a hurricane” because of her emotions gone haywire. Young girls can relate to it. It’s not the strongest song from her debut album, but the breezy nature of it could hold it on radio until the warmer months arrive. I would hate to see the effort go to waste just because the wrong single was selected.
CARLY RAE JEPSEN – “Tonight I’m Getting Over You”
27-year-old Jepsen had a big breakthrough last year with hits like “Call Me Maybe” and “Good Time”, a collaboration with Owl City. Third single “This Kiss” failed to make a significant impact on the charts, so she’s dusted herself off and moved on to a fourth single from Kiss, “Tonight I’m Getting Over You”. The song has a long list of writers on it: in addition to Jepsen, there is Clarence Coffee Jr. (part of a production team called The Monsters and The Strangerz… jeez, who came up with that?) Lukas Hibert (German producer new to the U.S. market), Shiloh Hoganson (Canadian singer whose U.S. crossover failed a few years ago), Katerina Loules (German songwriter with her first big credit) and Max Martin (super-producer behind the Backstreet Boys, Britney Spears, etc.), with production duties handled by Hibert and Martin. The sound is a little more dance-driven than Jepsen’s other singles, with an unnecessary dubstep post-chorus that’s just grating on the ears. Nothing too hard to understand lyrically; the girl is gonna “keep dancing ’til the morning with somebody new” as she gets over her old flame. It’s a decent song, but unfortunately, it comes across as a throwaway track. I’m not quite sure how “Curiosity” got passed over again or even the duet with Justin Bieber, “Beautiful”. With everyone releasing lighter songs as of late, it would’ve fit right in. Alas, a video has been shot and the song’s been sent to radio, so I guess we’re stuck with it. Coming off a flop, I’m not expecting big things from it, but expect it to be a mid-charting hit before Jepsen moves onto recording a new album.
TEGAN & SARA – “Closer”
If this is going to be one of the first big Alternative crossover hits on the year, I approve. The two Quin sisters have been singing together since 1999 and are probably best known for their 2004 single, “Walking With A Ghost”. They also had a pair of minor chart successes in Canada as featured vocalists on singles by producers Morgan Page and Tiësto. Their days of dance have rubbed off on their new sound as found on their recent release, Heartthrob, expected to debut in the top ten on the Billboard 200 album chart, and this first single. It was written and produced by the Quins as well as Greg Kurstin, who worked on hits by Kelly Clarkson and Pink. The song itself is about the boundaries of a relationship, with the protagonist egging on her lover to “come a little closer,” but it isn’t just a sexual notion she desires. She explains: “It’s not just all physical/I’m the type who won’t get oh-so-critical/So let’s make things physical/I won’t treat you like you’re oh-so-typical.” This, combined with a glittering electro-pop beat, is the perfect combination for a great song with just the right amount of attitude. Will mainstream radio take a liking to the duo? I sure hope so. The song’s already been a top-20 national hit in Canada and it’s still in the top 100 on the overall chart on iTunes here in the States. It should also be their second song to make my personal chart in just a few weeks. The girls certainly deserve, but it’s up to programmers to decide whether to pump it or dump it.
Are there any other good pop tracks by the ladies that I should be listening to? Let me know! Post your thoughts in the comments or find me on Twitter: @AdamFSoybel.